Do that thing they do on CSI and it should be fine.A client adamant that an image can’t be too pixelated to be blown up. (via clientsfromhell)
Do that thing they do on CSI and it should be fine.A client adamant that an image can’t be too pixelated to be blown up. (via clientsfromhell)
To be fair, we probably do look quite cute together.Alex Odam, on Skype.
Olly: What’s the crime rate of Cumberland?I had an Angelique Luff moment.
Chris: That’s a sausage Olly.
I used to think that they would cut wood up into chips by hand with a knife… I never knew they used a woodchipper.Angelique Luff, when I told her how they made woodchips.
The press release from the BBFC for ‘The Human Centipede 2 (Full Sequence)’, detailing the reasons why the board have refused to give the film a classification.The principal focus of The Human Centipede II (Full Sequence) is the sexual arousal of the central character at both the idea and the spectacle of the total degradation, humiliation, mutilation, torture, and murder of his naked victims.
Examples of this include a scene early in the film in which he masturbates whilst he watches a DVD of the original Human Centipede film, with sandpaper wrapped around his penis, and a sequence later in the film in which he becomes aroused at the sight of the members of the ‘centipede’ being forced to defecate into one another’s mouths, culminating in sight of the man wrapping barbed wire around his penis and raping the woman at the rear of the ‘centipede’.
The Board considered whether its concerns could be dealt with through cuts. However, given that the unacceptable content runs throughout the work, cuts are not a viable option in this case and the work is therefore refused a classification.
Andrew DubberMusic is pretty much unique when it comes to media consumption. You don’t buy a movie ticket because you liked the film so much, and while you might buy a book because you enjoyed reading it so much at the library, typically you’ll purchase first, then consume…But music is different — and radio proves that.
By far the most reliable way to promote music is to have people hear it. Repeatedly, if possible — and for free. After a while, if you’re lucky, people get to know and love the music. Sooner or later, they’re going to want to own it…whether it’s a pop tune, a heavily political punk album, or an experimental, avant-garde suite — the key is very simple: people have to hear music, then they will grow to like it, and then finally, if you’re lucky, they will engage in an economic relationship in order to consume (not just buy and listen to) that music. That’s the order it has to happen in. It can’t happen in any other order. There’s no point in hoping that people will buy the music, then hear it, then like it. They just won’t.
Nobody really wants to buy a piece of music they don’t know — let alone one they haven’t heard. Especially if it’s by someone who lies outside their usual frame of reference. And a 30-second sample is a waste of your time and bandwidth. It’s worse than useless. That’s not enough to get to like your music. Let them hear it, keep it, live with it. And then bring them back as a fan.
There is no possibility that it will not happen because all our information comes from the bible.Harold Camping… being a little bit stupid, twice in one quote.
Accent theme by Handsome Code, poked in the face by Olly Newport